English Electronic Music: Delve into the Digital Archives

Explore the history of English electronic music, while mastering techniques and approaches in digital music archiving, with this online course from the University of Huddersfield.

Duration

4 weeks

Weekly study

4 hours

100% online

How it works

Unlimited subscription

Learn more

Established

1992

Location

Huddersfield (West Yorkshire), United Kingdom

World ranking

Source: Times Higher Education World University Rankings 2021

Trace the history of electronic music

Electronic music is the backbone of contemporary musical culture. We owe the studios and pioneers of the mid-20th century for laying the foundations of the electronic music we listen to today.

On this four-week course from the University of Huddersfield, you’ll trace electronic music back to its origins in the 1950s and 1960s. You’ll explore the lives and experience of the genre’s early trailblazers, the techniques they used, the attitudes they met with, and the impact they had on musical history.

Discover the origins and ideologies of early electronic music

Before homing in on the specifics of English electronic music, you’ll investigate the genre’s global roots.

You’ll compare different the philosophies and ideologies that helped to shape electronic music in Europe and America.

Understand Roberto Gerhard’s role in shaping the genre

In the third week of the course, you’ll learn more about the composer and musical scholar Roberto Gerhard.

You’ll explore Gerhard’s legacy on English electronic music, and ask why his pioneering contribution to the genre has largely been forgotten.

Master processes, techniques, and approaches in digital music archiving

In the final week of the course, you’ll discover how digital archiving can inform our understanding of musical history. You’ll get to grips with digital archiving processes, and identify the challenges of archiving analogue materials.

By the end of the course, you’ll know where electronic music came from, and how we can document it in the future.

  • Week 1

    The Origins of Electronic Music

    • Welcome

      Welcome to the course!

    • France and the Groupe de Recherches Musicales (or the GRM)

      The origins of electronic music: Pierre Schaeffer and the Groupe de Recherches Musicales (GRM)

    • Germany and the Westdeutscher Rundfunk (or the WDR)

      ...and their competitors, Karlheinz Stockhausen and the Westdeutscher Rundfunk

    • Other Electronic Music Studios

      Let's look at other countries approaches to electronic music – Italy, Poland, and the USA

    • Week 1 Roundup

      A quick roundup of the course content for this week

  • Week 2

    English Cultures of Electronic Music

    • Techniques of electronic music

      A brief overview of some of the processes used to create early electronic music

    • The BBC Radiophonic Workshop

      The centrepiece of electronic music in England – the BBC Radiophonic Workshop

    • Tristram Cary & RCM Studios

      A look at English electronic music pioneer Tristram Cary

    • The lost voices of English electronic music

      A look at how and why early pioneers of electronic music are often overlooked in our historical narratives

    • Week 2 Roundup

      A quick roundup of the course content for this week

  • Week 3

    Roberto Gerhard

    • The person

      An overview of the personal history of Roberto Gerhard

    • The composer

      An overview of Roberto Gerhard's practice as a composer of classical music

    • Gerhard's electronic music

      A look at what role electronic music played in Roberto Gerhard's broader compositional activities

    • A 'Third Way'

      A look at how Roberto Gerhard's electronic music related ideologically to the work of the GRM and WDR

    • Week 3 Roundup

      A quick roundup of the course content for this week

  • Week 4

    The Roberto Gerhard Digital Archive

    • An overview of archiving

      An introduction into the topic of archives and their role in research

    • Converting from Analogue to Digital

      A look at the challenges and opportunities afforded by the digitisation of archive materials

    • The digital archive

      We discuss how the Roberto Gerhard Digital Archive was created

    • Discoveries in the archive

      We discuss what we have learnt from the Roberto Gerhard Digital Archive, and how this archive has helped gain a unique insight into the work of Roberto Gerhard

    • Week 4 Roundup

      A quick roundup of the course content for this week

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