Japanese Culture Through Rare Books
Explore the important roles that books and manuscripts have played in the rich cultural history of Japan with this online history course from Keio University.
Duration
3 weeks
Weekly study
3 hours
100% online
How it works
Unlimited subscription
Learn more
Established
1858
Location
Tokyo, Japan
World ranking
Source: QS World University Rankings 2021
[What’s new]The Educators/Hosts will facilitate this course for about three times a year. Our next facilitation period is 28 Nov - 25 Dec, 2022. We look forward to your active participation!
A book is a tool for preserving words and images. Through books, an abundance of information, including the knowledge and experiences of the people of the past, has been handed down to the present. But books are more than records of words and images. Their form, appearance, and even the scripts and styles used tell us about the fashions and technologies of the times that produced them. By studying old books, we can learn a great deal about the geographical areas in which they were made, the historical background, and the individuals and groups involved in their making.
While displaying remarkable similarities with books produced in other areas of the Sinitic cultural sphere, Japanese books also possess some unique features, starting with their sheer diversity of form and appearance. Using a wealth of multimedia content, we will take a journey through the wonderful world of traditional Japanese books.
Keio University’s Institute of Oriental Classics is a unique institution specialized in rare East Asian books. The Institute’s extensive collection comprises 163,000 items, and is open to the public as a specialized library. In this course we will make use of this rich collection and rely on the expertise of specialists and researchers who have been working for the preservation and study of these resources. Using state of the art media resources, you will familiarize yourself with not only the content of traditional East Asian books, but also with their physical appearance, format, binding method, script, and cover style.
In the first week of the course, you will be introduced to the main bookbinding methods used in traditional Asia, and to the practice of rebinding books. We will also discuss the influence of Chinese bookbinding methods on early Japanese books in all their various shapes and forms.
In the second week of the course, we will focus primarily on the different types of manuscripts and illustrated books that were used for waka (classical Japanese poetry) and prose tales (monogatari) from the 9th century through the 17th century. High quality images and video recordings of materials in Keio University’s book collection and beyond will give you a real sense of the look and feel of these precious objects.
In the final week of this course, we will look at how the introduction of movable-type and woodblock printing in the 17th and 18th centuries helped books spread widely across social classes, and how this democratization of books affected Edo culture and learning.
※このコースは日本語版もございます。
The Japanese version of this course is available.
Let’s take a first look at Japanese book culture and explore the various types of books and scripts that have been used in traditional Japanese bookmaking.
We will learn about the history of writing in Japan and main types of paper used in Japanese bookmaking.
In this activity, we will explore the main book-binding methods and some less common ones.
This activity reviews what we have covered during this week ( history of writing in Japan, binding methods) and introduces the libraries of Keio University.
Numerous books with illustrations were made and they evolved in a slightly different way to books with just text. You'll learn the characteristics of manuscripts and books with illustrations from the ninth century to 17th century.
The current binding of a book is not always its original one. In this activity, you’ll learn about various types of rebinding types and discuss why books were rebound to begin with.
Waka and fiction had different standings in the genre hierarchy. This is reflected in the different way in which titles were positioned on the cover, the binding type, and even the size of books.
In this activity, we will focus specifically on the binding types used for waka and fictional tales.
We will overview the history of books with illustrations.
Let's review what we've learned this week with a short quiz.
Welcome. The theme of the third week is book publishing in the Edo period. To start us off, Prof. Sasaki and Prof. Ichinohe will briefly discuss the week’s most important topics.
In this section we will look at the early history of printing and bookmaking in Japan from the 8th century to the age of movable type printing (late 16th to mid-17th century).
Printed illustrated books appeared not too long after their handwritten counterparts. In this step, you will learn how printed picture books first appeared, evolved, and were used.
Let's explore Edo-period reading habits, the culture of re-using the classics in new ways, and the spread of books to larger and larger sections of society.
We will explore how book publishing influenced the development of scholarship in the Edo period.
This activity reviews what we have covered during this course.
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