Music Moves: Why Does Music Make You Move?
Learn about the psychology of music and movement and how researchers study music-related body motion in this free online course.
Duration
6 weeks
Weekly study
3 hours
100% online
How it works
Unlimited subscription
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Music is movement—a bold statement that we will explore together in this free online course.
Together we will study music through different types of body motion. This includes everything from sound-producing keyboard actions to energetic dance moves.
You will learn about the theoretical foundations of embodied music cognition and why the body is crucial for how we experience the emotional moods in music. We will also explore different research methods, including advanced motion capture systems and sound analysis methods.
You will be guided by a group of music researchers from the University of Oslo, with musical examples from four professional musicians. The course is rich in high-quality text, images, video, audio and interactive elements.
Join us to learn more about terms such as entrainment and musical metaphors and why it is challenging to sit still when you experience a good groove.
Let's get started! First you will get to know the educators and then you can introduce yourself to your fellow learners.
A brief historical overview on how the listening experience has evolved.
When talking about music we need a agree on the same concepts to avoid misunderstandings. In this video we start off with an introduction to key terminology.
There are many different approaches and methods available when studying music.
What have we learnt so far this week and what lies ahead?
An introduction to Week 2
How do we experience music? Here you will learn about the psychological foundations for what we call "embodied music cognition".
Here we explore the different types of actions that can produce sound: impulsive, sustained and iterative.
What types of methods can be used to study music and movement? Here we will explore computer-based sound analysis and get an overview of qualitative movement analysis.
What have we learnt so far this week and what lies ahead?
An introduction to Week 3.
Music is not only about listening with our ears. In fact, all our senses and modalities are involved when we experience music. This is what we often refer to as "multimodal" perception.
When a pianist presses the pedals on the piano, she modifies the sound. Here we look at such sound-modifying actions and other types of non-sound-producing movements.
Researchers often use various types of technologies for recording and measuring music-related body movement. Here we will explore different types of quantitative analysis methods and look into a musical motion capture lab.
What have we learnt so far this week and what lies ahead?
An introduction to Week 4.
We will have a closer look at musical pulse, and the term entrainment
The movements of perceivers can be described using many of the same terms as for performers' movements
Motion capture does not have to take place in a dedicated laboratory. Certain technologies are more suited than others for capturing outside the lab.
You will use what you have learned so far in the course to write a short text on the role of multimodality in perception.
What have we learnt so far this week and what lies ahead?
An introduction to Week 5.
When does music groove and how can you identify a groove? Is it the groove that makes you move?
These terms *gesture* and *coarticulation* are key to understand how music and movement are related.
Video recordings are important in movement analysis.
What have we learnt so far this week and what lies ahead?
An introduction to Week 6.
Is there only a word-like connection between emotion and motion, and how are these connected to music?
Biosensors are used to measure physiological signals in the body. Both biosensors and the various types of motion capture technology we have looked at so far can be used in developing new interfaces for musical expression (NIME).
What have we learnt during this course and will you be more moved by music in the future?
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