Pictures of Youth: An Introduction to Children’s Visual Culture
Explore visual culture for children and young people including, picturebooks, comics, film, television and drama
Duration
4 weeks
Weekly study
3 hours
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In a world where young people are surrounded by an ever increasing range of media, visual analysis of children’s culture is becoming increasingly important.
The course provides an introduction to popular types of visual culture for children and young people. By the end you will gain a deeper understanding of children’s film, television, drama, picturebooks and comics.
You will discover the wide variety of works on offer, learn to decipher these media, understand some of the ways in which they are conceived and consumed, and have a go at creating your own analysis.
Welcome to the course - time for some introductions to the course and each other before we start learning
Definitions
We now look more closely at the ways in which text and images interact in the creation and reading experience of a picturebook.
How picturebooks contribute to children's visual and verbal literacy
What are comics anyway?
How do we read comics?
There's been much moral panic surrounding comics. Let's have a look at what scholars have said about ideology in comic books.
Children and young people are huge consumers of comics in many forms. In this final part we learn about contemporary forms of comics literacy and production.
In this activity, we try out ways to decide what counts, and what does not count, as 'children's film'.
In this activity, we get acquainted with the films of Japan's Studio Ghibli, beloved of children and adults worldwide.
In this activity, we pay close detail to the features of Studio Ghibli's films which might make them fit the category of 'children's film'.
What can Studio Ghibli's place in society and culture internationally tell us about how it fits into the category of 'children's film'?
In this activity, we consider the way in which showing teaching and learning activities on television allows broadcasters to meet their remit for education as well as entertainment.
This activity considers schoolchildren and their incorporation within programmes in the genre of 'reality television' as a particular focus of televised teaching and learning.
In this activity, we explore in detail several reality television programmes starring children learning and staging Shakespeare.
Here we discuss some features that might allow us to define these programmes as part of a reality television genre that purports to offer participants a 'make-over' of their Shakespearean knowledge and ability.
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